Friday, June 24, 2011

My official Best List of 2010 (six months late)

If you want to see the list I've made for my Top 10 list for 2010, here it is.

Apparently I felt like that list meant I've seen less movies than I had this year. The reason is because I'd had final exams at school and that delayed my time to watch the movies I'm interested in or like to see. And also because most of the films released last year was already released in Australia this year. So here's my official Best/Worst list of 2010 counting the five best and the five very worst films.

Honourable mentions/ #6 movies
Greenberg, Scott Pilgrim Vs. The World, The King's Speech, Green Zone, Animal Kingdom, The Fighter, Toy Story 3 (it's not the best Pixar has to offer us but its tolerable), The Town, Black Swan

2010 Watchlist
Easy A, Get Him To The Greek, Exit Through The Gift Shop, The Girl With The Dragon Tattoo, I Love You Phillip Morris, Blue Valentine

5. Kick Ass

It was a hard spot for me to decide. It was either Kick Ass or Scott Pilgrim Vs. The World. Scott Pilgrim was a visual wonderland hooking you into a the experience of comic books, indie music, 8 bit videogaming and clever pop culture references. Kick Ass gets 5th spot not because it doesn't have the distinct look of Scott Pilgrim, but because it's bloody hiliarious. Kick Ass is the story of a teenage comic book reader transforming himself into a DIY superhero whose only powers are wielding batons. But he'd faced deadly consequences and meets a daddy-daughter duo also a superhero vigilante and are better than him. What makes Kick Ass works is that this brings all of the great super films and mixed it with violent satire that's refreshing. With Aaron Johnson being this Peter Parker knockoff you should applaud, Chloe Moretz steals the show playing Hit-Girl a girl who takes an appetite for destruction for justice, you'll laugh until the film literally hurts. Moretz is a revelation and should be lauded for taking risks here, not panned because she's eleven. It's a graphic novel adaptation that should be graphic for the faint-hearted, but at the same time, poignant at heart.

4. Winter's Bone

Just a few days ago, I decided to pick this film up so I can finish all of the Best Picture nominees. Winter's Bone may be an average arthouse film that is only seen by few people, but for every film lover or person who loves critically acclaimed films, it's a must see. 

A tale of a young girl named Ree Dolly living in the Ozarks who's looking after her younger siblings because her mother is catatonic and her father's a methhead. When Ree discovers her dad hadn't shown up to his trial, she decides to search for him. During her journey she encounters ghastly people who brings mysteries surrounding her Dad including her uncle Teardrop and during that she face certain consequences from these people. 

This film is beautifully tragic and it's visually gritty considering the environment of the Ozarks malnourished with poverty and underground drug labs. Well-directed by Debra Granik who brings the importance of the themes of determination, poverty and family into this quiet yet richly detailed crime thriller. Winter's Bone is then lifted up by Jennifer Lawrence's powerful performance as the heroine of the story and more put forward is John Hawkes' fierce uncle.

3. 127 Hours

127 Hours brings in the greatest depth of a normal person I've ever seen. It's a kinetic and visual experience from Danny Boyle that is also beautifully edited. 127 Hours is the story of survival, a matter of life and death for real life adventurer Aron Ralston. As you should know, it's the biographical story of the guy while being stuck on a rock. It's James Franco bravuva and sensational performance that has me convinced it's one of the best performances I've ever seen in a film. He's brings a variety of emotions from cheerful to lonely. The climax (which should be obvious) brings tension that's gripping and determined. For those who assume this film is just seeing a guy cuts his arm off, please look at it further. It's a life story.

2. The Social Network

Many films are known for their subject matter just before and after they're nominated for bazillions of Oscars. Brokeback Mountain (a movie about a gay romance), Slumdog Millionaire (Indian guy on Millionaire), The Hurt Locker (movie about the Iraq War) and now we have The Social Network, a movie about Facebook. As much as people would assume that a Facebook movie is lame or boring, apparently it knocked the hell out of every professional critic. The subject matter doesn't deal with Facebook. More so, it matters on the human relationships regarding ordinary people who helped defined our time.

The Social Network focuses on Mark Zuckerberg, after being dumped by his girlfriend and from forming a revenge blog, decides to build Facebook, an online social network he thinks would refreshes the entire "social experience"to a new level. Since the inception of Facebook, he is brought to lawsuits and a loss of friendship with Eduardo Saverin.

The Social Network is a simple story of friendship, loyalty and betrayal according to screenwriter Aaron Sorkin. Through Sorkin's stylish, witty screenplay, David Fincher's cold yet visceral direction and Trent Reznor's mesmerising score, these aspects manage to pull you in and for the better, make this film work to a higher level. Kudos to Jesse Eisenberg who plays the ironic characterization of Mark Zuckerberg and Andrew Garfield as the possibly flawless Eduardo Saverin who get screwed the most. It should've been Best Picture at the Oscars, but sooner or later, it will be a classic. 

1. Inception

Here's proof that the summer of 2010 was not a bummer. Inception is a blockbuster that shows its artistic value over its need to make profit. Inception is almost every reason you go to movies for a good time. It's entertaining, make you think and believe you're in something that has never been seen before. It adds new meaning of science fiction. Enough said, if you want more click here

No comments:

Post a Comment